Into the Fire

Passionate thoughts about the world of writing and the Power of God

  • Although it’s a familiar and well-used cliché applied to situational arguments with teenagers, in politics and relationships, and in corporate boardrooms or custodial closets, it’s a valid instruction, its intent recognizable by all who hear it.

    In my world it can also apply to those matters created by writing novels. Authors subject themselves to all kinds of decision makers. If they make it to the level of having their work on the threshold of publishing, they face the editing process. From ordeals to pleasurable experiences, writers must face certain battles to preserve or eliminate words they’ve strived to get just right.

    I can’t speak for most authors, but I know that some are far easier to work with than others. And, sad to say, I’m probably from the latter category rather than the former because of the strong convictions I hold regarding realism in Christian literature. I’m not speaking of arguing for inferior writing, but I’m definitely not into compromising truthful depictions of life portrayed as it is. And sometimes that is precisely what we don’t see in CBA novels.

    Even in the committed lives of Christians sin is warred against, sometimes resulting in a victory for the sinful nature. That’s not to say we don’t read of adultery, divorce, drunken or alcoholic behaviors, physical abuse, or other such sinful conduct in offerings from Christian publishing. Specific novels from good authors and selective publishers have dared to produce some fantastic literature dealing with difficult issues in their characters’ lives, giving readers meaningful portrayals of sinful people in need of saving grace.

    However, more often we read of characters who hide secrets which seem unqualified for such drama. No one uses hell or damn or smokes or drinks. Any romantic attraction consists of lingering looks and heavy sighs. And some readers of these novels are not only pleased with such stories but rant against those which are quite the opposite of them.

    I guess I’d face a few battles. Not sure I could win any of them. Not saying I’d accept defeat.

    Lord, your plan for me is a single path. Designed for my steps, custom-made. The only one I want. In the Name of Jesus, Amen.

  • You gotta love this old one. Genuine rock ‘n’ roll.

  • Few things irritate me more than reviewers/critics who think their opinions surpass those of every other living human being. Be it novels, books in general, politics, religion, etc., it irks me when people don’t “review” something but insist it’s the worst possible thing, most boring thing of all time, can’t possibly be worth investigating, and “you’re just plain stupid” if you think it, watch it, or consider it worthy of your time. Now, granted, it could be said that the same irritation can exist for the opposite stance such as it’s the best possible thing, most entertaining thing of all time, is definitely worth every minute of your investigation, and/or “you’re just plain stupid” if you don’t think it, watch it, or consider it worthy of your time.

    Reviewing means giving your opinion based on what you see, hear, watch, and investigate. Only those who vomit out their sarcastic critiques to show off how “educated” they are in their abilities to rate and observe things that probably no one else has the ability to do which is why their review is so important and legitimate, think everyone will believe, follow, and appreciate their elitist conclusions.

    You might wonder what prompted this “review” of reviewers/critics. I just read some reviews of the Season 1 of “Marshals” and a couple from Season 2. Suffice it to say they were negative and leaned toward the description of reviewers/critics in the previous two paragraphs. So. Tell me this: if this series is so drastically unwatchable, cliché, blah, blah, blah, why did so many people enjoy it and cause it to be renewed for a second season in record time?

    Reviewers/Critics, try this: Give your opinion (because that’s all it is) respectfully with YOUR reasons for disliking the show, book, etc., and then admit it’s simply not for you and that’s why you don’t/can’t recommend it. That’s the grown-up thing to do.

    Geez.

  • . . . Do not conform any longer to the pattern of this world, but be transformed by the renewing of your mind. Then you will be able to test and approve what God’s will is — His good, pleasing and perfect will.

    For by the grace given me I say to every one of you: Do not think of yourself more highly than you ought, but rather think of yourself with sober judgment, in accordance with the measure of faith God has given you.

    Romans 12:2-3 (NIV)

  • Those of you who desire to write novels or are in the process of writing a novel, there are the “usual things” you’ll do when you’ve finished. I was reminded of those “things” when I came across this in my documents section. I remember Robert’s endorsement was a genuine thrill.

    Blurb

    From a dysfunctional upbringing through a troubled youth and on to fame, reluctant celebrity but extraordinary actor Joey Parr searches for real love to give his lonely life value.

    Back Cover Copy

    The Famous One chronicles the life of Joey Parr, reluctant celebrity but extraordinary actor, in a fictitious biographical style which allows the reader to share in his beginnings, his awkward fame, and the love which finally finds him when he least expects it.  As his dream of having a family unfolds, he is stunned to learn something is still missing from his near perfect life.

    The Famous One takes an introverted yet passionate character of few words and deep running emotion and puts him into the spotlight of fame where he is hungry for value, substance, and real love but struggles to find them.

    Endorsement

    “An engaged plot; characters that are real and intriguing; true craftsmanship—what more can you ask for?  Nicole Petrino-Salter’s writing is certain to touch a lot of people.” Robert Liparulo, author of Deadfall, Germ, and Comes a Horseman

  • I’ve watched the first episode of Season 2 (“All Hat No Cattle”) twice and will watch it again before the next episode. Hey, when I like a series, I watch it over and over again. That’s the way it is.

    It reminded me that perhaps, never having seen a single episode of “Yellowstone,” I might have missed the “down and dirty” side of Kayce when he needed to be.

    The action was hard and fast, the choice Andrea makes is done well, the bonding of the team is obviously growing, and the capture of Tom Weaver reveals additional information about the chaos concerning East Camp and conflicts the Chairman has faced regarding the prospective mining on tribal land.

    If you are a serious viewer and want a good, solid, very entertaining series to watch, do try Marshals. The writing is outstanding fitting the characters to near perfection, while the actors truly play their roles like each one was written just for them. Obviously, I’m sold on this series.

    HIGHLY RECOMMEND

  • The great Percy Sledge sings it Live:

  • My favorite TV Series has its premiere tonight. After ending on a cliffhanger, I can’t wait to see the result!

  • I thank Christ Jesus our Lord, who has given me strength, that He considered me faithful, appointing me to His service. Even though I was once a blasphemer and a persecutor and a violent man, I was shown mercy because I acted in ignorance and unbelief. The grace of our Lord was poured out on me abundantly, along with the faith and love that are in Christ Jesus.

    1 Timothy 1:12-14 (NIV)

  • Words.

    How to make them jump, jolt, jackknife, jerk, and jumble to produce a thriller.

    How to make them melt, meander, magnetic, meaningful, mosey, moody, and moving to produce a love story and/or romance.

    How to make them inquisitive, imaginative, insistent, impatient, investigative, and instinctive to produce a mystery.

    Your turn.