Into the Fire

Passionate thoughts about the world of writing and the Power of God

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    FBI Special Agent/Interpol/DGSI Adele Sharp is still healing from the brutal stab wound done to her by a mysterious intruder in her apartment. Agent John Renee, her partner and boyfriend, has been making sure she takes it easy. When their boss (Foucault) assigns them a case and asks to make sure Adele is up to the task, she does her best to cast any doubts aside. The truth is she's still hurting, and it feels like certain simple moves are ripping her stitches open. 

    The case involves a murder with evidence left in a locker room at a train station in Paris. A single finger and a burner phone provide little evidence to this killer's agenda. 

    The parallel mystery running in the background has revealed to the reader who Adele's attacker is and his objective. He's filled with hatred for Agent Renee, blaming Renee for his present condition from a distant past action and determined to execute his vengeance. Neither John nor Adele has any idea about the identity of her attacker.  

    The case Renee and Adele are working takes them from Paris to Germany where the killer is quick to repeat, leaving a different body part in his next murder. When a vague connection is made to a particular jewelry line which is now out of business, the macabre revelation of the former owner finally produces a viable lead. 

    There are few authors as prolific in their story writing as Blake Pierce. With multiple series and many books in each one, I'm sure readers have picked favorites from the long list of novels written by this author. The Adele Sharp Mystery Series has been my favorite of the few others I've started, but things are changing for this couple in this series, and these last two installments have ended with extreme cliffhangers. Left to Harm seems shorter than previous books and leaves more than one plot point unrealized. 

    As I said, this series is my favorite, but it seems it might be nearing its end.

     

    Father, you are the soul searcher, knowing what you will find, and still desiring to rescue each one from sin. Thank you for rescuing me. In the Name of Jesus, Amen.  

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    Here's an oldie by Gene Pitney for the back to romance theme. A big hit back in the day.

     

    Father, thank you for music that brings valuable things to light, for those you've gifted in all aspects of the musical arena. May those who create in this venue know the One who's given them their abilities. In the Name of Jesus, Amen. 

     

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    I haven't had an interim like this in a long time. While in the throes of writing my first mystery Race where I was completely out of my element, I froze up on the story several times greatly intimidated by the thought of making a mistake in the police procedural parts of it even though I had sterling help and encouragement from a detective when I needed it. During those episodes, I started two different novels which eventually were completed after I regrouped and finished and published Race. Those two novels were Seeing . . . and . . . in a love song

    So what am I doing now writing-wise in the interim of finishing and publishing Then . . . you? Playing with the character I've long imagined Mitch Rapp to meet and fall in love with (since I'm from the contingent who has mostly despised his loves in the books) in a Fan Fiction endeavor. From the standpoint of value? It has none. No point. Do I actually expect this character to be noticed by the Mitch Rapp powers-that-be? I do not. But wouldn't that be fun! 

    I do have a chapter started in a potential new story, but . . . not sure yet. Waiting is not my specialty. I do have a title for it if it ever morphs into a book. Funny how I can get titles before the stories . . . 

    That's where I'm at . . . 

     

    Lord, please give me my next step, those words you inspire. Lead me in what you have for me. In the Name of Jesus, Amen. 

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    The wrath of God is being revealed from heaven against all the godlessness and wickedness of men who suppress the truth by their wickedness, since what may be known about God is plain to them, because God has made it plain to them. For since the creation of the world God's invisible qualities — His eternal power and divine nature — have been clearly seen, being understood from what has been made, so that men are without excuse. 

     

    Romans 1:18-20 (NIV)

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    Rising Tiger by Brad Thor is book #21 in the Scot Harvath Series

    There's a new weapon used after an attempt to slaughter a particular group known as the Snow Warriors. Due to an age-old tradition, the battle is fought with brutal hand to hand combat. The weapon is unleashed by the losing effort to make sure their remaining people can escape. 

    Scot Harvath is fresh off a rescue mission in Afghanistan that tried every which-way to go south and waited until the last possible moment to be successful. 

    American Eli Ritter comes out of retirement after being summoned by the POTUS for one final shadow diplomacy mission to Jaipur, India.  

    The Indian Air Force helicopter carrying 14 passengers including the chief of Defense Staff of the Indian Armed Forces lost all contact with the Sulur Air Base while en route to Wellington in Tamil Nadu. 

    Nicholas (aka The Troll to his enemies) is relaxing at his secluded home after his very pregnant wife Nina is visiting friends one more time before giving birth and after getting Harvath back safely from his harrowing mission.

    Scot is summoned immediately by his boss at the Carlton Group to go to Jaipur, India. 

    How all of these tie together are made clear in pieces as a U.S. Embassy Foreign Service National/Investigator and ex-Indian Police Service officer Vijay Chabra swaggers into Harvath's life to assist him in what becomes an occasionally fun but mostly dangerous adventure. They unintentionally meet up with a beautiful woman (Asha Patel) on a black ops mission which coincides directly with theirs. Eventually, through the interrogations, they learn of one of the targets which gives the title to this novel its significance.  

    There are many things happening throughout the chapters in this story which move back and forth establishing the villains, their perversions, their hatreds, and their unscrupulous acts for power, money, thrills, and just plain evil. Keeping the characters straight can be a challenge, but not to worry because the good guys (and gal) have only one intention: to make the bad guys pay one way or another.  

    Harvath is a focused, calmer version of himself. His emotional state is stabilized, quieted, more or less it seems because of his engagement. He has a more peaceful demeanor in this story while being no less formidable.

    Rising Tiger will keep you entertained while informing you of important and troublesome liaisons in the world today. 

     

    Father, as I've said so many times, only you know hearts and minds, only you save souls, only you. Please continue to bless Brad as he creates poignant thrillers about today's world. In the Name of Jesus, Amen.  

     

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    This is the woman for the hero of heroes Mitch Rapp created by Vince Flynn and his legacy kept alive by Kyle Mills. Celebrating Fan Fiction. 

         Her name is Christine Ravenswill, but it's not her real name. She's a psychiatrist who specializes in counseling veterans and operatives in elite warrior positions whether government sanctioned or not. Christine is tall, close to 5'10" with a deep blue to her eye color that sets off her long wavy natural honey blonde hair that she wears parted in the middle with bangs. With elegant, efficient movements, Rapp wonders if she's athletic when she strides toward him to shake his hand. He deduces she's close to his age, her handshake takes a firm grip of his larger hand. 

         When she introduces herself, he smirks. "I assume that's not your real name." 

         She knows he doesn't want to be there in her office, nor does he want to talk to or confide in her. She recognizes he probably realizes he should be willing to do so, but that doesn't carry any weight as to him determining he will. She decides to go on the offensive.

         "Mr. Rapp, I'm smart enough to know you don't want to be here. I get that. You're right about my name. Although Christine is my actual middle name, I chose Ravenswill for my last name when I came to terms with my dad's occupation. He too was a warrior with a similar job description and assignments as you've experienced. The last time I saw him was on my 21st birthday, but occasionally I discreetly visit his star. You would no doubt be familiar with his name if I was allowed to reveal it to you, so I apologize for not being able to share it." 

         She sat in one of the chairs in front of her desk that faced the one he stood stoically behind, picking up the pen and pad on it and setting them on her lap. "If you prefer to stand, I understand. I'm not here to play games with you. I respect you and what you've done for our country far too much to attempt any kind of coercion to speak with me. I of course hope that you would acquire a trust – or perhaps that's too strong a word." She briefly faltered but regrouped. "Let me put it this way: I have no way of knowing if I can offer you anything you can use or might need until I listen to what you have to say about anything that you care to offer in conversation. I've cleared my schedule for the rest of the day in order not to adhere to any annoying time requirements." She briefly looked down at the pad on her lap. Then looking directly up at the focused stare looking back at her, she said, "This is the absolute truth. I've admired you for a long time, and it's an honor to finally meet you face to face."

         She noticed the brief surprise in those dark eyes, the quick parting of the lips before once again sealing shut.

         "I'm very familiar with the standardized version of life in your profession. As for my life, I'm a fair marksman, know Krav Maga and Brazilian Jui-jitsu. I'm armed with my trusty Glock 19, and haven't had to kill anyone yet. I've been attacked once on the way to this office when I decided to jog to work. Fortunately, I subdued my attacker so here I am. Here you are. If there's anything you want to ask me, please do." 

         Rapp moved around the chair and sat in it folding his arms against his strong chest. "How much did Irene tell you?" 

         "Irene told me she would suggest you come to me, 'try me on for size', just for the purpose of releasing some of the pain you carry around with you because she believes it's intense. She said it in no way has affected your work, but that . . ." She stopped and studied his expression before continuing. "But that it hurt her to know you kept a lot of that pain as a constant companion in your everyday life and that just maybe you might be willing to discuss it with me – but not to count on it." She pushed herself farther back in the chair and crossed her right leg over her left.

         Rapp examined her and noticed she met his gaze with an expression he rarely saw from women who looked at him. If he had to identify it, he’d call it empathy. Maybe because she’d come as close to experiencing the content of his rare lifestyle without ever physically having to live it. He dropped his defensive posture and cocked his head slightly to study her features.

         Finally, he said, “You look like him, you know.” He paused. “Your father.”

         Her lower lip dropped slightly, and tears instantly formed in her eyes. She reached behind to her desk for a Kleenex and blotted her eyes. “Thank you,” she replied quietly. “I didn’t know . . .”

         “It can be a small world sometimes.”

         Silence permeated the realization. He decided to let her take a moment, knowing the anguish that came from the remembrance. He watched her as she regained control. When he was sure she'd managed it, he added, "He was one of the few real heroes. He had a heart. That's one of the things I admired about him." Rapp stood again. "Thank you for understanding I don't want to be here, don't want to talk about myself, my pain, my life. It's not you. Seems pointless. It's done. It's not going to change. I chose this life. I'm sure the exit won't be . . . pretty."  

         She stood, carefully judging her motive first and then her next move. "Mr. Rapp–" 

         "It's Rapp or Mitch."

         "Rapp, would you consider having lunch with me? I'm starving and it would be good to have lunch in a non-professional environment. If you have time. I'm not the kind of girl who's going to analyze your every word and response in conversation. I usually eat alone. It would feel good to spend some time having a 'normal' lunch. Are you game?" 

         He gave her a look with a barely there smile. "Can I trust you?"

         She let out an abrupt laugh. "I don't know, can you?"

         Rapp started for the door and looked back, “Coming? I’ll drive.”

         “We can go in separate vehicles if you’d be more comfortable,” she offered, suddenly feeling a bit intimidated by the prospect of having asked this man she’d long admired to lunch.

         He paused with his hand on the doorknob. “I thought you said you wanted a ‘normal’ lunch. I’m taking you to lunch. Is that ‘normal’ enough for you?”

         She walked quickly toward him. “Yes, sir, it is.”

         He gave a rare laugh and held the door open for her. She walked out in front of him. 

     

    Father, thank you for fun with words, thoughts, writing, everything. In the Name of Jesus, Amen. 

         

         

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    Things have changed in the last year. And not for the better. Publishing has taken the hit along with everything and everyone else. 

    So. It's very possible that some of my novels in the not so distant future may no longer be available on Amazon. Not because I don't want them there but, because in order to make them sell at a reasonable price, it simply won't be possible. The costs to print books has skyrocketed. 

    As far as I'm aware, the ebook prices will remain the same. I know how much most of us prefer an actual book in our hands, but they are becoming a very expensive commodity to purchase. 

    Here's my offer to you. At my publisher's website (Redemption Press), you can purchase some of my novels including Then . . . you for a much more reasonable price than you can on Amazon for the print book. Although the ebook price is the same there as on Amazon, the profit margin from Redemption Press is greater for me.  

    There. That's it for business. It's a sour note to publishing – an unexpected gash. And I'm sorry. 

     

    Father, you always know the big picture. We trust in you. Thank you is never enough. In the Name of Jesus, Amen. 

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    Back to the romance theme. This is a great song. The lyrics speak a lot of truth. Yes, indeed. 

     

    Father, you own truth. You design us and know us intimately. Lead us in your ways. In the Name of Jesus, Amen. 

     

     

     

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    What does my writing tell you about me? I'm an open book. My tagline and product description lay the ground work for who you can learn I am from my stories. "Passionate: right or wrong" & "Raw Romantic Redemptive" conceal nothing. 

    The simple and the obvious are: I love certain Ford vehicles. I love Coca Cola. I love longer hair on men. Those are the fluff parts of me that surface in most of my novels. 

    I write about locations that are familiar to me.

    I truly respect men and diligently try to give them a believable reality in my novels from thought processes to actions to dialogue. 

    I understand the pain of being female and making mistakes one never forgets.

    I know the before and after of meeting Jesus. I give both sides equal expression. 

    I love romance because I believe it's designed to be the preliminary approach to love. 

    If you've read my work, these are probably what you've learned about me. 

     

    Father, any good in me is you. Thank you, Jesus, for rescuing me from myself. Holy Spirit, continue to make me the better me. In the Name of Jesus, Amen. 

     

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         He [Jesus] said to them, "How foolish you are,  and how slow of heart to believe all that the prophets have spoken! Did not the Christ have to suffer these things and then enter His glory?" And beginning with Moses and all the Prophets, he explained to them what was said in all the Scriptures concerning Himself.

         As they approached the village to which they were going, Jesus acted as if He were going farther. But they urged Him strongly, "Stay with us, for it is nearly evening; the day is almost over." So He went in to stay with them.

         When He was at the table with them, He took bread, gave thanks, broke it and began to give it to them. Then their eyes were opened and they recognized Him, and He disappeared from their sight. They asked each other, "Were not our hearts  burning within us while He talked with us on the road and opened the Scriptures to us?"

     

    Luke 24:25-32 (NIV)