Into the Fire

Passionate thoughts about the world of writing and the Power of God

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    Remembering the power of lyrics. Remembering how biblical references and political outlooks somehow made it into the unique times of the 60s and 70s . . . Supercharged with all kinds of emotions, opinions, truths, and lies. Sound familiar? Great artists of that day. 

    Father, you are the source of all truth. We can't have it, live it, or love it without you. Thank you, Jesus, for being The Way, the Truth, and the Life. The source of rescue and redemption for the human race. Thank you is never enough. In the Name of Jesus, Amen. 

     

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    That hard place for me – and from what I've heard from some other authors can also be for them – is when suddenly you read a comment or bad review about one of your books, and you start spiraling into doubting yourself. Is this just a mirage – me thinking I can actually write a novel? Do I actually have any talent at all? 

    It's suggested we need to develop a thick skin – I can't. It's not in me to either ignore or not be affected by anything negative directed precisely at me. I'm as thin-skinned as they come. 

    Well, in a rather unique chain of events, I picked up my second novel The Famous One to address a comment from someone I know who's reading it now. This started on page 88. I remembered the scene quite well, but I read that page again and the following pages and a few more, and I just kept reading over the next two days until I finished that book again. Some authors will tell you that the number of times they've read their books by the time they're published is enough to make them not want to see it again for a considerable amount of time. Saturation might be a comparable word for the feeling. Well, apparently the number of years that have passed since I read my novel provided just what I needed to truly enjoy it once again – ratifying the phrase I use quite often: I write what I want to read. 

    The Famous One is written like a fictional biography, telling the story of one Joey Parr. If any of my novels fit the tagline I've given myself: Raw Romantic Redemptive, it's this one.

    Point being, "my" audience loved this story. Those who are not, did not. And so it goes. 

    I can write novels. I do write novels. And I'm not stopping writing them because those who are not my audience don't like them. 

     

    Father, apart from you, I can do nothing. Period. Thank you for giving me any of my abilities. Anything I do that's good and worthy of any praise is you working in me. All honor goes to you. And all thanks – even though it can never be enough. In the Name of Jesus, Amen. 

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         "When the kings of the earth who committed adultery with her and shared her luxury see the smoke of her burning, they will weep and mourn over her. Terrified at her torment, they will stand far off and cry: 

                 "'Woe! Woe, O great city,

                   O Babylon, city of power!

                   In one hour your doom has come!'

         "The merchants of the earth will weep and mourn over her because no one buys their cargoes anymore – cargoes of gold, silver, precious stones and pearls; fine linen, purple, silk and scarlet cloth; every sort of citron wood, and articles of every kind of ivory, costly wood, bronze, and iron and marble; cargoes of cinnamon and spice, of incense, myrrh and frankincense, of wine and olive oil, of fine flour and wheat; cattle and sheep; horses and carriages; and bodies and souls of men."

     

    Revelation 18:9-13 (NIV)

     

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    The Offer by D. L. Wood is a part of the Deadly Decision Collection

    Addie Nichols is an up and coming chef in her Manhattan restaurant. Having recently survived a tough breakup, she's immersed in making her restaurant a success, but the financial toll is hefty, and she's worried. One evening, she's interrupted by a request from a patron and must step out of the kitchen to see who insists on seeing her. The brash woman dressed in designer duds offers Addie 10 thousand dollars to make a weekend trip to a secluded island to prepare food for her husband's birthday. Hoping to make it a private weekend for them with Addie serving her special creations, she talks Addie into making the trip. The reason she's selected Addie is because her husband had previously eaten at Addie's restaurant and raved about one of her desserts. 

    Addie has suspicions about the woman, but the offer is the proverbial "too good to be true". Nevertheless, having been told a car will be sent for her, she makes the long trip with a can't-be-bothered-to-be-civil driver and a kind and attractive ferry operator who drops her at her destination and helps her take her bags to the downstairs kitchen of the impressive and isolated mansion. 

    From this point on, prepare for the noir – Alfred Hitchcock type experience. The bizarre begins and Addie feels trapped but determined to pull off this gig and get out of this weird circumstance in which she's found herself a captive.  D. L. Wood does a very good job of making the house creepy, the people creepier, and the situation almost impossible for Addie. She wants to call the kind ferry guy who assured her he would come for her if she needed him, but before she can get things wrapped up, everything goes horribly wrong. 

    If you want a quick, noir-ish suspense novel, this new one by D. L. Wood provides that dark atmosphere of a heroine caught in a deadly decision. 

     

    Father, thank you for your authors. Please continue to bless D. L. and provide more stories you have just for her to tell. In the Name of Jesus, Amen. 

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    Those of you who know me well have heard me say repeatedly: I write what I want to read. I've also used this: Nicole Petrino-Salter writes love stories with a passion. And finally: Raw Romantic Redemptive 

    By choice I recently picked up this book of mine to check out a page or two and found myself engrossed in the story all over again. Remembering one of my favorite characters . . . 

    The Famous One is written as a fictional biography of one Joey Parr. It's a complete love story encompassing the life of one unique individual who finds himself "discovered" and whisked away into a world of motion pictures, fame, "success", searching for love in a world where it's mostly counterfeit and surrounded with glitz – everything that Joey is not. Will he ever find that elusive thing called love? 

    May I say it's been refreshing to reread it after all these years . . . restorative even. 

     

    God, there's no way I can ever thank you enough for all that you've given me, for rescuing me from myself, for redeeming me. Thank you for my stories and characters. Apart from you, I can do nothing. So grateful beyond words. In the Name of Jesus, Amen. 

     

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    Authors have few choices regarding who reads their novels. We can suggest age ranges, in Christian authors' cases we can specify that it's Christian Fiction or that the stories contain spiritual elements, etcetera, but in many ways, we are limited. We have no real control as to who picks up our books to read. 

    Frankly: I got a 2-star review the other day (not on Amazon) by a young woman I wouldn't have chosen to read this particular novel and perhaps none of mine. There are several reasons why I say this which were evidenced in some of her statements regarding the characters and their actions in her very extensive review. She wasn't the right "audience" for my book. 

    Love stories are as old as literature. "There's nothing new under the sun" to quote Solomon in Ecclesiastes 1:9. You're not going to have something unheard of happen, some unique situation in a romance, even if you're a fantasy/paranormal/sci-fi author. Romance and Love Stories have covered the territory for centuries. Some authors use major and continuous conflicts, create star-crossed characters, break hearts, kill lovers, you-name-it. It's all been done both well and poorly. 

    I've usually written disclaimers or explanations about my novels in the Forewords because I try to avoid the negative reactions to the stories that follow. I take liberties with my characters that some Christian authors do not. I portray the world as it really is without graphics in sexual depictions and language. But there are particular readers who prefer not to read about the world as it is, who are fairly legalistic in their approaches to Christian Fiction, and those readers are not my audience even though all of my novels are absolutely redemptive.

    There are ages of young people who either haven't lived enough life and/or have little understanding of what a few years later in their lives they might be able to comprehend more clearly – as to the mindsets and experiences of the more-mature-by-a-few-years characters can produce. 

    Having said all that, how do you ensure the right audience* finds your work? 

     

    *audience: This pursuit to find the right audience isn't uncommon in all of the arts: painting, sculpting, music, etc. 

     

    Lord, please direct my novels to those who will appreciate them for what they are, say, and do with the stories. Thank you for readers. May each one find what they're looking for in their reading pleasures. In the Name of Jesus, Amen. 

     

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    There's always that one. Great old song by The Platters. 

     

    Father, you give so much talent/gifts to us all. Let us all thank you for them and give you all the honor. In the Name of Jesus, Amen.  

     

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    When You're Mine by Blake Pierce is Book One in the Finn Wright Mystery Series

    FBI Special Agent Finn Wright has shone his rogue or rebel tendencies once too often – even though the result of those actions ends up preventing worse crimes with a little collateral damage. However, his boss has gone to the mat one too many times defending Finn and now Finn's on a suspension pending review which could bring serious consequences to his actions. To add to the punishment, he returns home to bad news he never expected – even if he should have. 

    He packs a light bag and heads to the UK to visit his old friend (Rob) who is also a detective but has moved up in the ranks to a Constable. He picks up Finn and drives him to the quaint little home he's arranged for him, but then a disturbing call causes Rob to ask Finn if he'd come along with him. It's the last thing Finn would like to do, but of course he does, and from their arrival to their departure from the murder scene of a prominent, wealthy businessman who is having some sort of celebratory event at his grand estate, there are many guests and a snobbish sister, an unavailable wife to the deceased, and a large staff, all needing to be questioned. 

    As the investigation is given priority, the pressure is on Rob and his head detective (Amelia), who first shows utter disdain for Finn and his Special Agent FBI label, to get this solved in a hurry. However, there is little information to be gained at first, and the resistance from the victim's sister is formidable, using the respected name of the victim to threaten the investigators, insinuating their incompetence. 

    Rob's position in all of this is slightly compromised so he tasks Amelia to work with Finn who he makes an official consultant on the case. 

    False suspects and misleading information lead them to bag the one they think has pulled off the murder, but Finn is not convinced.

    It's a good Blake Pierce mystery with a few typical characters and virtually nothing pointing to the killer, but Finn's instincts give him an idea to hopefully flush out the real assailant. 

    An unusual ending brings the story to an interesting conclusion. 

     

    Father, thank you for those who use the gifts/talents you've given them. May each one know from whom it all comes. In the Name of Jesus, Amen. 

     

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    Then I heard another voice from heaven say: 

              "Come out of her, my people,

                 so that you will not share in her sins,

                 so that you will not receive any of her plagues;

              for her sins are piled up to heaven,

                 and God has remembered her crimes. 

              Give back to her as she has given;

                 pay her back double for what she has done.

                 Mix her a double portion from her own cup.

              Give her as much torture and grief

                 as the glory and luxury she gave herself.

              In her heart she boasts,

                 'I sit as a queen; I am not a widow,

                and I will never mourn.'

              Therefore in one day her plagues will overtake her:

                death, mourning and famine. 

              She will be consumed with fire,

                for mighty is the Lord God who judges her."

     

    Revelation 18:4-8 (NIV) 

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    This is Chapter Two from Then . . . you.

     

    Chapter 2

     

    She heard it before she saw it. The fire hummed in a hollow purr. Seemed to echo from that solid rock structure which came into view stretching from floor-to-ceiling and must have been 15 feet long. Stacked tidily in a built-in rack at the near side to her were perfectly cut pieces of wood to feed what looked like a steady appetite. The soothing comfort of wood heat permeated the room.

         Her eyes continued until she saw him sitting just to the side of the wide arch of the fireplace. When she walked into the large open-concept living area, he looked up from a paper he’d been reading and tossed it to the floor beside him, straightening and rotating his neck.

         He pointed to a plush giant size black leather couch stretched out in front of the fireplace. “Sit,” he said.

         She did. She was taken aback at his face. A dark moustache framed full lips and possibly a week’s worth of a beard cupped his chin and grew up the sides of his face like vines. His eyes appeared grey in the light of the fire’s flame, his expression serious and focused on her. His tight sleeves had been pushed up slightly, and what showed of his right forearm revealed some serious tattoos, but she couldn’t make out what they were from where she sat. This man had to be close to her age, and in spite of herself and the improbability of how she came to be here, she couldn’t help silently observing he was one incredibly handsome guy. 

         “So tell me. What’s this about?”

         She removed her gaze from his striking face and stared into the fire. “My name is Jenna-Leigh Maddox. I’m a licensed massage therapist and hairdresser at Kate Roberts’ ‘Salon Salon!’” She paused and took another breath.

         “I know the location.”

         She turned back to him. “I’m so grateful you answered the door and allowed me to use your bathroom. I,” she stumbled now because she felt so foolish.

         “I can see the bruise forming on your face. Your boyfriend hit you?”

         His voice was matter-of-fact, not insulting or unkind.

         “Yes. He slapped me.” She inhaled again. “Not the first time.” She stood, restless and embarrassed. “I’m the cliché, okay?” She crossed her arms. “I forgave him more than once because he was ‘so sorry’, blah, blah, blah. I never figured out how I set him off.” Tears surfaced. Again.

         “Tonight was different.”

         “Yes. Tonight he picked me up from work because my car’s getting some work done and won’t be ready until tomorrow. I worked late because of a special appointment I make for a police detective once a month, and so he stopped off for drinks with work friends before he picked me up. He was really late getting there.”

         He watched as she paced in front of the big couch, not getting too close to him.

         “Drinking is not a good look on him.”

         “And you don’t know why he hit you tonight?”

         “I can tell you what made him mad, but why he got so mad, I have no idea. He was totally unreasonable, and I tried to talk him down from his anger, but it wasn’t working. When I locked up the salon, he started yelling at me. I told him I would call an Uber, and he slapped me and told me to get in the car which I did because I was afraid. So I hoped for an opportunity to get away and when he stopped at a gas station to get some cigarettes, which he only smokes when he’s really drunk or high, I grabbed my purse and ran.”

         “Do you have a cell phone?”

         “Yes.”

         “Give it to me.” A pause. “Please,” he added.

         He knew she wanted to ask why, and his request probably added to her fear, but she returned to the bathroom and tugged her purse out to the living room, found the phone and handed it to him after opening it with her fingerprint. He quickly maneuvered his way through whatever he wanted to find.

         “Did you agree to this tracking app?”

         “What?”

         “He has a tracker on your phone. I’m removing the sim card now.”

         “He followed me with this app?”

         “It allowed him to know where you were as long as your phone was with you.” He handed the devices back to her. “I have a disposable phone you can use.”

         “I can’t imagine what you must think of me.”

         “It’s not complicated. You’re desperate.” He scratched at his chin. “You saw the porch light through my overgrown approach to the door. Took a chance.” He stood. “You’re not stupid – just emotionally involved with someone who doesn’t appreciate what he’s got. Like I said, not complicated, but, yes, frankly, cliché.”

         She dipped her head, sat back on the couch, and just above a whisper, said, “Nailed it.”

         He actually gave a short laugh. “Thank you.” He walked briefly in front of the fire. “Look, I’m not sure what you want from me, but I will help you. Why? I have no idea. I live here alone and have no interest in interacting with most people. I’m willing to make an exception for you as long as you don’t intend to make amends with this guy. If you do intend to get back with him, you can spend the night and then make sure I never see you again when you leave tomorrow morning. Are we straight?”

         He crossed his muscular arms.

         “I have no intentions of making amends.”

         “’No intentions.’” He stated it. “That could mean ‘if he talks all nice to me, I’ll forgive him. Again.’” He used his fingers to make quotation marks.

         In spite of herself, she laughed but quickly replied, “Okay. I get it. I’m done. Life with him no longer holds any appeal. What do you want me to say?” She heard the whine in her voice and quickly sat straighter and said, “May I ask your name?”

         “Stone.”

         “Stone? Is that what I’m to call you?”

         “Yes.”

         “Okay.”

         “Are you hungry?”

         “No, but I could use a drink of water, please.”

         “Come with me.” He scooped up the paper he’d tossed to the floor.

         She followed him again around the great fireplace to another completely open and well-equipped kitchen where she observed the huge fireplace had been built to service both rooms. He gestured to the refrigerator and told her to help herself. He explained if she wanted tap water, the glasses were in a cupboard he opened to show her. She took a bottle of Aquafina from the fridge and thanked him.

         “Do you work tomorrow?” He set the paper down and leaned against the granite counter on the large island, crossing those strong arms again.

         “No. All I have to do at some point is pick up my car. I can call an Uber. I do work on Thursday through Saturday this week.”

         “No Ubers here. Your schedule varies?”

         “Yes. Except we always have Sundays and Mondays off.”

         “What time does the auto shop open? And does your boyfriend work tomorrow?”

         “It opens at seven. And, yes, my ex-boyfriend works tomorrow from 6:30 to 4 PM.”

         A brief smile crossed his lips. “I’ll drive you to the shop and follow you to wherever you’ve been staying. I’ll wait while you get your stuff, and you can follow me back here. That is, if you’re sure you want to do this. I’m well aware you don’t know me and have no reason to trust me, but, frankly, that goes the same for me.”

         She looked fully at him and he met her gaze with his steady stare. “You’re willing to do this for me? And you can’t tell me why?”

         “I wish I knew.” He broke his stare then and looked out an ornate kitchen window into the darkness.

         “Are you going to tell me anything about your story?” She kept her voice soft, not really wanting to intrude on this stranger’s privacy since he had in fact rescued her.

         “Some,” he said. “But I think we could both benefit from some sleep. We’ll plan to be at the shop when it opens.” He pushed himself away from the counter. He walked out of the kitchen and she followed him again like a puppy.

         “I apologize. I’m not set up for guests.” He approached the couch and quickly lifted cushions, maneuvered a lever and pulled out a hide-a-bed. “The sheets are new, never been used. Actually it’s all like that. I hope that’ll do for you.” He paused to gauge her reaction. “Where are your wet clothes?”

         “They were soaked, I set them in the shower.”

         “C’mon. I’ll show you the laundry room and you can do what you want with them.”  

         It was farther down the wide hallway on the right, and she was relieved to see the somewhat older washer and dryer without all the regulatory additions that made doing the laundry take forever. This washer had a good old-fashioned top-load large capacity agitator with a good menu of choices as did the dryer. The only evidence of activity in the room was a couple pair of Levis hanging on hooks by their belt loops on a wall. Otherwise, like the bathroom, spic and span.

         “You’re a bit of a neat freak, huh?” she asked with a smile in her voice.

         He gave a brief laugh. “Mostly. Until you get to my office. That’s where my organizational skills take second place to my comfort and accessible demands.”

         “I think I’ll throw my clothes in the wash if it won’t disturb you,” she said tentatively.

         “It won’t.” He started to walk away but turned back. “Try to get some rest. And help yourself to anything in the kitchen.”

         “Thank you, Stone.” She looked up to him to make eye contact, wanting him to know how she truly appreciated his kindness.

         “You’re welcome, Jenna-Leigh Maddox.”

     

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    Father, it's simple really. Apart from you, I can do nothing. You provide it all. Thank you is never enough. In the Name of Jesus, Amen.