Into the Fire

Passionate thoughts about the world of writing and the Power of God

There are so many things being done in marketing that simply don’t work. Some innovative in design. Some not so much. The problem with all of them is they take so long to measure.

 

One of the major requirements in a book proposal is supplying your ideas for marketing your book(s). Identify your audience. Reveal why you’re the one to tell this story—as opposed to your soccer-mom or your ultimate-fighter neighbors. Supply multiple impressive ideas for selling this novel. Okaaayyyy. Right.

 

Sometimes it’s easier to describe which people or people groups are not your audience. I find myself getting put in that position when my mind struggles to identify who would appreciate/enjoy/like/love my novels. Certainly not the devoted “bonnet book” or “prairie romance” readers. Not those ladies who read the “Love Inspired” line of romance novels because you will find the occasional “breast” word or the once in awhile “hell” word. And probably more sexual situations than these readers care to “experience”. Before this creates any controversy, I’m not mocking those who prefer extremely chaste writing. Everyone should have the opportunity to read the books of their choice. Period. But, as a writer and a reader, those books are not me. They’re not the readers for whom God gives me stories to write. And they should not fault me or any other author who doesn’t join them in their preferences.

 

I created the tagline Relationship Romance Redemption to describe my romance novels, and now I’m thinking of expanding it to Raw Redemptive Romance or Real Redemptive Romance. No question I write for adults of all ages, and most of my books are written for women. The Famous One is not exclusive, having garnered its share of male “fans”.

 

Readers who are like me read across the board. Maybe I should start writing romantic suspense since I so rarely read straight romance novels anymore. They got too formulaic, too safe and predictable, and it’s a rare romance now that captures my attention and my heart.  

 

I guess I’m an unusual romantic. Low maintenance in real life. True romance that causes sizzle and sweat between male and female characters elicits all kinds of challenges for the defining of lust or love. This is the conundrum for people in our day. Which is it? Christians are not excluded from this quandary. I guess I write to them. And to those who’ve been through that journey and managed to come out on the other side—one way or the other. It’s a perilous trek for a Christian and often a thrilling but empty roller coaster ride for an unbeliever.

 

Who’s your audience? Who do you want your audience to be?

 

Father, you’re our audience for everything we write. May we always honor you with our efforts. In the Name of Jesus, Amen.

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6 responses to “Finding your audience . . .”

  1. Jessica Thomas Avatar

    My audience is ideally Christians and non-Christians, sci-fi fans and non-sci-fi fans. Males and females. Is that to much to ask? Maybe.

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  2. Nicole Avatar

    In reality it is, Jess. Not that you can’t pull from all these readers, but normally there’s a focus group that migrates or bends to an author’s work. If you’re speaking of the soon to be retitled The Exception, you could narrow it down to adult speculative fiction fans who bend toward sci-fi. That includes males and females and might draw a few non sci-fi but spec fiction readers from the back cover copy.

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  3. Kristen Torres-Toro Avatar

    Hmm… Women more than men. Female readers who are willing to take a risk on story… who look beyond formulaic stories. And who want to read stories in a contemporary setting.

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  4. Nicole Avatar

    Alright, K. Let’s fine tune this a bit when you have a chance. What kind of risk? Having read one of your novels, the risk doesn’t involve anything to do with language, sex, or illicit behaviors. Qualify your “risk” word.

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  5. Kristen Torres-Toro Avatar

    Hmm… I’m thinking more of my 4th novel here. It’s more violent than the one you have read. And violent how it is told as well… a (hopefully) realistic portrayal of some hard scenes.
    Hmm. I think by risk I mean a story that doesn’t necessarily fit a traditional, formulaic format and is considered “different” for a CBA novel. As you know, my fifth novel has a huge imaginative aspect in a contemporary setting.

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  6. Nicole Avatar

    Yes. Good idea. Something risky. Something not formulaic. I’d like to see this one eventually.
    The risk isn’t in the violence, per se, but in the form it takes to tell the story. I like it.

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