Into the Fire

Passionate thoughts about the world of writing and the Power of God

If you could change five things (or less) in CBA publishing, what would they (it) be?

 

For some professionals this question sparked an in depth response. Today’s post belongs to one of those. (Unabridged and unedited.)

 

From Author, Editor, Publisher Jeff Gerke, Marcher Lord Press:

 

Actually, I wouldn't have them change at all, Nicole. I think they're satisfactorily serving the white, Evangelical soccer mom and grandmother market in North America. They know what that demographic wants, and they give it to them. Since that is the largest book-buying (especially fiction-buying) slice of Evangelicalism in North America, it's wise for them to keep going after that market. However, that road may swiftly be approaching a dead end.

 

What they haven't been as good at is developing new markets or, as we're seeing now, changing with the times. They're being forced to think about that sort of thing now, which I think is healthy.

 

I personally think the era of "big-box Christianity" is over in North America. Denominations, big ministries, and large Evangelical publishers are all feeling the pinch right now. It's not primarily because we're in a recession, I don't think. I think it's because we're moving away from centralized control over what is done and toward a more individualistic, personally customizable approach.

 

The trend over the last several centuries has been away from an authoritarian power bloc off somewhere making rules or determining what can or cannot be produced and toward power in the hands of the individual. Think the Reformation, the rise of Democracy, the invention of the movable type printing press, and (more recently) the Internet and revolutions in music, information, and now books.

 

No longer do music labels decide what will be on an album or CD and everybody just takes it or leaves it. Now you can download just the individual songs you want. No longer do monastery or university libraries control access to knowledge. Now you just Google it. No longer does Hollywood control what movies are produced. Now anyone with a video camera can post his movie on YouTube. No longer do "the big six" publishers decide what can and can't be published. Now anyone with a manuscript can get it in the hands of millions of people through e-readers and print-on-demand technology.

 

Soon we may see the demise of TV networks. They're one of the last media blocs that controls what we see and when we see it. That's going against the current of history, and it won't last. We'll soon be able to watch what we want, when we want to watch it. The traditional church building and ministry structure is another system that may move from corporate to more personalized and smaller groups.

 

Your question was what CBA should do to change. Because I own a small, nimble, indie press that can take advantage of these new trends, I have a different perspective. I don't actually see what big CBA houses can do to survive. Not in a time when we don't need big groups of people to produce a book–when 1 person can produce a professional-quality print book, when you don't even need print books anymore.

 

Authors are seeing it. If they can have a professional-quality book and not have to give away 90% of the profits to a publisher, they're suddenly going, "Wait, tell me again why I need a publisher." Readers are seeing it: they're finding they can get whatever obscure kind of book they like and don't have to just sit around hoping a publisher will see a satisfactory profit margin and produce that book.

 

If a CBA house were able to think radically and not have to act out of concern for the many good Christian families they'd suddenly render unemployed, I do think there is something they could do. I think they could break themselves down to 10 people maximum, split out in 2-6 imprints or product lines. They could be like several Marcher Lord Presses linked together and sharing resources and risk. They could also stop fighting the trend toward the individualization of publishing and embrace it instead, offering their expert editorial, design, and marketing services to people willing to pay for it.

 

It's not a question of what 1-2 little things I'd like to see a CBA house change. It's time to evolve or perish. Publishers don't want to fire all their people and change so radically, I know. On the other hand, if things go as I think they might, they'll end up firing all their people anyway. Better to see the handwriting on the wall–the seven sickly cows–the danger approaching…and make changes now so they can smile at the future (Proverbs 31:25b).

 

To be continued . . .

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14 responses to “Change from the Inside Out, Day Three”

  1. Mark Young Avatar

    You’re on the right track, Jeff.I hope your suggestions are given serious consideration by those who can make a difference.

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  2. Nicole Avatar

    Me too, Mark. Thanks for stopping by and leaving a comment.

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  3. Sandi Rog Avatar

    Very interesting conversation! Thanks for posting this. I posted a link to this discussion to all my writing loops. 🙂

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  4. Nicole Avatar

    Thank you, Sandi. Appreciate you and your directing others to hear what insiders have to say about this much discussed topic.

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  5. Michael and Normandie Fischer Avatar

    Nicole, I love your blog, as I have already told you. Thanks for giving so much time to perspectives that we wouldn’t ordinarily hear.
    Normandie

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  6. Brenda Anderson Avatar

    Love this discussion. Thank you for initiating it! I’m passing the link on to others.
    Brenda

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  7. Nicole Avatar

    N, it’s my pleasure. I’m grateful for each one who took the time to respond to this question–because the complaints aren’t going away . . .
    Brenda, thanks for stopping by and leaving a comment. I do hope others will benefit from this discussion and the comments from those who are on the “inside”.

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  8. Anonymous Author Avatar
    Anonymous Author

    My personal pet peeves as an author:
    Publishers, if you want to put out ABC types of fiction, why not stop posting on your web sites that you want XYZ sorts of submissions? Almost every time I’ve subbed to one of the big publishers, it’s been a “no-thanks” because, “Oh, we want historical fiction, just not THIS kind.” Or they don’t want that country. Or this era. Or this sub-sub-subplot. Please. If you want something specific, tell us the truth. Let’s not waste each other’s time.
    Publishers, also please do NOT expect us to become marketing experts. Hire competent marketing/publicity staff. Let us write the books. We’ll come alongside if we’re told what’s expected of us, but do NOT expect us to reinvent ourselves into something we’re not. You don’t expect book submissions from the publicity team, do you?
    One more suggestion — let’s ALL stop using “CBA” as a nickname for the whole Christian fiction reading/writing world. It isn’t anymore, if indeed it ever was.

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  9. Nicole Avatar

    Thank you for your contributions to this discussion. I’m going to reprint these on Day Eight in case anyone overlooks them in the comments. Thank you for taking the time to do this.

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  10. Brenda Avatar
    Brenda

    Thanks for your perspective, Jeff, and all commenters. I spend a lot of time trying to learn all I can about the industry, but reading this, I realize one of my weak areas is understanding exactly what IS happening with print on demand technology and how that applies to me as a writer. So now I will make it a point to focus on that and bring myself up to date.

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  11. Nicole Avatar

    Jeff’s explanation is a great place to start, Brenda. It makes sense. A lot of sense.

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  12. Brenda Avatar
    Brenda

    May I follow up with another comment and question? One aspect of Jeff’s input particularly interested me–breaking up into smaller imprints. Interesting because from this novice’s perspective, even if you submit to a big publishing house, it feels as though you are being asked to do everything–marketing included. About the only thing it feels like the publisher is doing is distributing your book. (I’m basing this on the plethora of info, accurate or inaccurate, I have gleaned from the web).
    So what’s to stop, say, a local crit group of skilled writers from forming their own partnership? Say you have several skilled writers. Some who excel in marketing, others who are very strong editors, etc. What are the logical roadblocks to doing something like that and how big an impediment is the distribution thing? I don’t mean to sound like I take distribution or any other publishing aspect lightly–it would be a lot of work and make for a lot of headaches, but from my novice perspective, even getting published in traditional form seems to be full of headaches.
    My apologies if the questions are totally stupid but I can’t help but be curious about possibilities.

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  13. Nicole Avatar

    No way are the questions stupid, Brenda. For more specifics, if you haven’t been to Jeff’s site, go there to his editing/services tabs. Also go to PleasantWord at WinePress Publishing. These will give you additional overviews for the answers to your questions.

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  14. Brenda Avatar
    Brenda

    Thanks for the tip, Nicole. Will do.

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