Editing. Like any other part of publishing, there are a multitude of editors and editorial opinions as to what makes good writing and how exactly to transform your mediocre words into a potential masterpiece. Forgive the exaggeration. No one doubts the benefits of a good editor. Good being the operative word.
I have some questions for editors. If you don’t favor a genre, i.e. romance, and you’re faced with a romance to edit, would you recuse yourself from the edit? I would have a difficult time even reading fantasy, let alone having to trudge through corrections.
If as an editor, you’re a Hemingway fan and your potential project is an unabashed saga writer such as James Michener, would you recuse yourself?
What options are available to editors?
Speaking from the writing end of the spectrum, I’d prefer to have an editor who actually prefers the genre of my stories.
My friends Normandie Fischer, Sandi Rog, and Sally Bradley are editors, and Mick Silva now freelances. Would love to hear their input.
Lord, thank you for all the many parts of your body. All the many parts that matter to you. Lead us all to those places where you want us to go to do those things you want us to do. In the Name of Jesus, Amen.
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