Into the Fire

Passionate thoughts about the world of writing and the Power of God

 

            
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We've discussed the rules of writing here multiple times and my basic rebellion against them as a statement of what makes a good writer. The rules give a general picture of what constitutes orderly writing, conscientious writing. A writer who is aware of and well-acquainted with these rules will choose which ones are subject to tossing when the particular storyline, voice, and format will be better served by breaking them. For beginner writers, the rules delegate how to create "clean" and functional prose.

However, one thing I think the rules overlook is the savvy reader. Underestimating the flexiblility of readers seems to be a common practice in professional advice. Is the objective to make it easy on the reader? Or is it to make it interesting not only in plot and character but in style and voice?

I have yet to meet a reader who struggled with what the pros call "head-hopping", but I've met lots of writers who are also readers who not only avoid this so-called dastardly deed in their own writing but they complain about it when reading it done by another author. My question to them is did they notice it before it was explained to them as a no-no? (Bren, I know this is one of your pet peeves.) Head-hopping is changing points of view frequently without alerting the reader to, or giving "sufficient notice" for, the different perspective of another character.

Readers of course have their own preferred styles of reading. The Hemingway-types like that clean, functional writing and think a lot of description is tedious and a waste of their time. Readers establish all different kinds of favorites with some of them enjoying just about anything in fiction.

I think by underestimating the versatility of readers, their willingness to engage the story regardless of how it might be written, can produce the sameness we experience so often in certain genres. Without bending the rules, formulaic prose with unimaginative styles and similar sounding voices become the norm and offer little imagination to the adventurous reader. However, benevolent readers will continue to read the same kinds of stories as long as those stories keep them interested.  

 

Father, help us to write as you direct. To create beauty, humor, truth, and entertainment riddled with your insights, revelation, and wisdom. With your divine touch we will be blessed as we bless others. In the Name of Jesus, Amen.

 

(*Winners Linda and Debi of book giveaway have been sent an email. Please send me an address. Merry Christmas!)

 

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2 responses to “Underestimating Readers”

  1. Brenda Anderson Avatar

    You’re so right that readers don’t notice rules. Head-hopping? Never noticed it as a reader; hadn’t heard of it until that very first professional critique when I was accused of committing that crime. And now, yes it does bother me (you got me, Nicole πŸ™‚ ). I believe that scenes read stronger when they’re in one POV. But then, readers don’t care. Frank Peretti head hops, as does Francine Rivers. I even saw it a little bit in Dee Henderson’s newest.
    I do believe that rules have their place, more as guidelines than legalistic must-dos. Oftentimes when I know a scene isn’t working all I have to do is look to the rules and the answer will hit me.
    The key is story. Does your story engage the reader? If so, it likely won’t matter how many rules the author breaks.

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  2. Nicole Avatar

    I’m relieved to know my assessment of readers agrees with yours, Bren. And let’s not forget Vince Flynn in that head-hopping bunch of good writers. I think it serves a real purpose in some scenes which is why those authors no doubt use it.
    Let’s face it. Rules are a must, but didactic application of them makes for boring literature. I think they were compiled by tired editors who were forced to plow through amateur/beginner pieces from writers who obviously didn’t know much about grammar and writing in general. JMO. πŸ˜‰

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