Into the Fire

Passionate thoughts about the world of writing and the Power of God

 

                           
No-error-sign-md

 

If you like baseball, you know errors are often disastrous for the team committing them and embarrassing for the player who makes them. Major league players making key mistakes can cost them the game. They're unacceptable, disappointing, and distressing when they happen at critical moments. The crowds tend to react unfavorably with unified groans or worse. Errors are the bane of baseball.

Well, errors can be the bane of fiction too. I'm not talking about typos and other mistakes which are found too frequently in printed and e-books these days. Although annoying to see them, I'm speaking of those errors which give the reader an unpleasant jolt of disbelief. Suddenly a character acts like someone other than who he's been portrayed to be for most of the story. A tool is available in the nick of time where no tool should ever be. An angel appears to save a person when there's been no hint of spiritual references in the story. The "deus ex machina" plot device can scream "Error!" to sophisticated readers who don't tolerate mediocrity in storytelling.

Writers strive to avoid error-free fiction, but it isn't as easy as it might seem. We do find ourselves in difficult situations in our stories which demand a sound resolution. The problem is we can't find one so we tend to invent something to give a quick and even logical solution. However, the "solution" isn't plausible. It's too convenient, too easy, too . . . unbelievable.

Do you use a particular method to avoid these kinds of errors? And have you read novels which failed to correct them?

 

Father, we need your assistance in all things. Big or small. With all that we do. We're desperate for you, Lord. In the Name of Jesus, Amen.   

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2 responses to “Error-free?”

  1. BK Jackson (@BKJacksonAZ) Avatar

    This is definitely a lot harder than it seems…take your example of a character who appears to suddenly act differently than they have previously.
    I use crit partners to help me identify these things–but sometimes crit partners & I do not agree on character motive or effectiveness of the character’s behavior. Sometimes the crit partner is dead on & I’m just too stubborn to give in. But sometimes it’s a matter of me knowing my character better & perhaps the crit partner hasn’t yet read a critical part of the story that would shed light on the character.
    I’ve had a critiquer make me mad b/c they insisted a character would not act a certain way & I’m thinking “How can you NOT see this?”
    Readers & writers come from a wide variety of backgrounds–what seems implausible to one is very much possible to someone else–some people are more cynical than others, for one example.
    Of course the bottom line is that the burden rests on me to write a convincing story. But I won’t win everybody. I can only hope to win most.

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  2. Nicole Avatar

    I do think some readers will accept everything if they enjoy the story. Others will want to throw the book across the room when something doesn’t work – especially if they were enjoying the story up to that point.
    Ultimately you’re right, Brenda. The onus is on us ( 😉 ) to make it all work. There are always those for which it won’t.

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