Into the Fire

Passionate thoughts about the world of writing and the Power of God

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One of the questions asked by professionals in the publishing industry is: Who is your audience? By this question others rise to be included. Did you write your story for a particular audience? Do you expect that audience to be the primary readers of your book? Are you thinking it will expand beyond the specific audience you have in mind? Why do you think your novel will appeal to those you've stated as your audience?

New authors with limited experience in the publishing realm tend to answer the initial question with a resolute and enthusiastic "Everyone! Anyone!" It's a naïve response which doesn't go unnoticed by those who ask it. It's a rare novel that can draw all types of readers into a particular story.

As for me and my work, I'm sometimes surprised at who enjoys my books. My husband is a man's man who loves to read but rarely has the time. And, no, he doesn't read my novels and feels guilty about it. I reassure him they weren't written for him – in that most men aren't into love stories/romance genres. It's okay, I tell him. So, knowing that, you can imagine how grateful and surprised I was when he read The Famous One and told me and others it's his favorite novel all-time. Granted, The Famous One covers the life of a male protagonist from a dysfunctional family who gets discovered and becomes a reluctant superstar. It's written like a fictional biography and shows the struggle and loneliness of the hero. A few other men read this story and really enjoyed it which is beyond gratifying.

Brenda S. Anderson who featured me this week on her blog to help promote Destination made an interesting and important point about the audiences for Christian Fiction (aka CBA). She stated so much of the reading audience has been alienated by the offerings from Christian publishing that it's hard to rediscover those readers who professed to have left the genre because there weren't enough gritty, authentic stories being offered. Getting them back presents a problem for independent authors and traditional publishers alike who might dare to publish something beyond the norm for them.  

While I could give a broad age range for my novels, it must be qualified within that range. Within that age bracket females who choose a steady diet of sweet little romances most likely would not be appreciative of my specific – not graphic – dealing with sexual attraction, romance, and love. Though done with the faith angle present, I don't hold back on the temptations of the flesh. Of my finished novels, Hope of Glory and The Famous One might have the most generic appeal.

Reading audiences aren't always predictable and some are difficult to cultivate. The tried and true word of mouth can work well but often takes time to materialize. Amazon reviews do help, but there are some readers who have no desire to write them and some readers who have no desire to read them.

For Christians who write novels, some of us are well aware of God's purpose – even if we're not sure what it is in our case. We know we're to write stories, we acknowledge any talent and all inspiration comes from Him, and our assignment is to trust Him with whatever we do. Period.

 

Father, thank you for the desire to write. Thank you for doing what you do. Thank you that I can count on you. And help me always to write for your glory and to be the person you designed me to be. In the Name of Jesus, Amen.

 

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5 responses to “Audiences”

  1. BK Jackson Avatar
    BK Jackson

    I read the discussion that ensued from Chip McGregor’s recent post about the state of CBA fiction, much of which focused on a segment of CBA readers bailing. But I didn’t get the sense that the discussion made a genuine impact on anyone–I didn’t get the sense that anyone really took it to heart or that efforts will be forth-coming to reach either those driven away or those who would never give it a chance because of the same-old same-oldness of the offerings. But we’ll see.

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  2. Nicole Petrino-Salter Avatar

    I didn’t read the post, Brenda, but I got the basic drift. Here’s what I think. (I know: big deal.) Take Bethany House. Almost everything they publish now is historical fiction. Occasionally they publish a romance. They once published J. Mark Bertrand’s three crime novels which were superbly written and great stories. To re-establish their lines of publishing and get back readers like me, they’d have to do something really spectacular to attract those who’ve deserted them. Apparently they aren’t the least bit concerned about gaining new readers or the loss of old ones. Same with Harvest House who mostly publishes Amish (yes, still) novels and completely non-threatening family/women’s fiction. And that’s what I’ve found from CBA publishing: being satisfied with the status quo which must be enough for them to maintain and survive.

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  3. Brenda S Anderson Avatar

    Well put, Nicole & Brenda.
    What I’ve discovered with my books, is that my audience doesn’t typically read Christian fiction. What I haven’t figured out yet is how to reach more of those types of readers.
    As for Chip’s post, I read that one & a bunch of other blog posts reacting to Chip’s, most of which took a Pollyanna view of Christian publishing.
    Then there’s this article from Christian retailing: http://www.christianretailing.com/index.php/newsletter/latest/28122-study-christian-fiction-readers-buy-read-more-books. What I find interesting are these stats from the article: “The top Christian fiction genres reported by surveyed readers were historical fiction (66 percent), romance (52 percent), contemporary (51 percent), romantic suspense (50 percent), suspense/thriller/legal thriller (47 percent) and mystery/espionage (45 percent), which also reveals that many Christian fiction readers read more than one genre.” If that’s true, then I want to know where all the books are that aren’t historical or romance or romantic suspense. Case in point, at FamilyFiction.com, you’re able to look at what’s come out in the CBA & what’s about to come out (http://www.familyfiction.com/books/. I browse by date.) I certainly don’t see the wide range of choices the Christian Retailing article says the reader wants. I know–this news isn’t surprising to you.
    So, what’s the answer to reaching that lost audience? Right now, the experts don’t even have a clue, so we have no choice but to rely on God & trust Him to reach those He chooses. When I think of it that way, I guess that’s not so bad.

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  4. BK Jackson Avatar
    BK Jackson

    Brenda, I’ll be sure and check out those links you posted. One big problem is that the issue is so convoluted. In your post, you quote “The top Christian fiction genres reported by surveyed readers were historical fiction (66 percent)…”
    On the surface, that sounds like Christian historical readers are finding plenty to read.
    NOT.
    Now if they were to revamp the genre title to it’s actual content “smarmy romance that happens in a historical context” that would be more reflective of the actual genre that’s being bought and read.
    I, on the other hand, who WANT to read good quality historicals that are NOT romance and have a big story, never find any books in the historical genre to read. That’s why I read almost exclusively in the thriller market because it’s the only place I can go to find big story, male protag, minimal romance and action. And those thrillers are almost all from the general market.
    But that leads back to how difficult it is to market. IF there are any historical writers out there writing the kind of fiction I want, how do they label themselves in a distinct yet concise way and find me, the floundering reader? I haven’t got a clue. More to the point, since I am evidently the only person looking for that type of historical fiction, it isn’t worth their while to try and find me. They are much better off writing for the smarmy romance in a historical setting market, because that’s where they will make their dough. And I can’t blame them for going where the better money is.

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  5. Nicole Petrino-Salter Avatar

    Over at Novel Rocket I did a post on what studies don’t reveal which in the article I believe you’re referring to, Bren, it didn’t give us an example of who exactly was polled. So who composed that “study/poll” on which they based their assumptions?
    Brenda, you are what I would call a somewhat unique reader that would prefer little to no romance in your novel selection – not that that’s unusual but for Christian fiction readers it seems to be in the minority. And one of the reasons for that might be that the majority of what CBA fiction produces is romance. Therefore most of its demographic are majority readers of romance. And not just any romance, mind you, but for the most part squeaky clean – whatever that infers – romance with normal hero/heroine tension without specific references to real sexual attraction and words such as the ones Becky Wade used in her first edition My Stubborn Heart (great story which broke away from the mold briefly).
    So I guess what we’re saying here is we all prefer novels that don’t hold to the general CBA model but reach to cover more types of stories with a more authentic feel to them. This has been achieved in CBA in some of their thrillers, but they’re quick to label stories which are mere suspense “thrillers” which usually results in some disappointment on my part.
    To sum up my long-winded and not so enlightening reply: CBA seems satisfied with “this is what we’ve always done and it’s worked for us . . . until now”. The status quo is beginning to warp the staid model. Will anything be done about it? Who knows?

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