Some authors are happy to hand over titling duties of their novels to editors. Others of us don't want anyone messing with our titles.
Some readers pick up a book at the store if the title teases them or read further along in the blurb if they're drawn to a title for their e-book selections.
Titles and covers must speak to the story that awaits on the pages inside the book. If I can't figure out why a novel wears the title, I will search every area of thought to discover the insight. If it's too obscure for me to ascertain the connection, I'm disappointed in either the title or the story. That same connection must exist between the cover and the story or, again, I'm frustrated.
Series covers with the same well-designed themes (i.e. Sibella Giorello's The Raleigh Harmon Mysteries; Karin Kaufman's The Juniper Grove Mysteries) work very well because of established recognition. On my covers of stand-alone novels (except for my first Hope of Glory) I've tried to keep the black color dominant and one other inconspicuous symbolic "emblem" on every cover. (Anyone know what and where it is on each book?)
Arriving at the "perfect title" for each novel isn't guaranteed to please readers, but I know I have to like it. I changed one of the titles for a WIP after I was well into the story. The title no longer fit. The new one does.
I like all kinds of titles if they work. One word titles often jab right at the heart of the story, but phrased titles can too. It all depends on how it appeals to me and if it ultimately meshes with the story.
Do you have a preference?
Father, there are never enough big good meaningful words to thank you for all you do for me. You're too big. You render me speechless because thank you is never enough. In the Name of Jesus, Amen.

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