Into the Fire

Passionate thoughts about the world of writing and the Power of God

           Person-reading-red-covered-book-near-grass

I think in the publishing business we sometimes don't give readers enough credit, but the opposite of that can also be true. A lot of this is due to the preferred genres and the resulting editorial methodology. 

In recent years, editors fretted about changing points of view from one character to another in the middle of an ongoing scene. In other words, when the author chose to give more than one character an immediate reaction or comment to something in a scene, hairs stood on end and frantic editors donned their red pens with a vengeance. Italics became another faux pas and the victim of the red pen. However, most readers took those things in stride and were not disrupted from or disgruntled with the stories they were reading by these or other "wrong" labeling by editors. 

Obedient authors tend to do as the editors tell them or risk the consequences. I made it my mission to ask many different readers about certain editorial complaints and corrections. The only readers who voiced any concerns about these supposedly critical necessities in writing were authors, not "just" readers. Authors hear about all the no-nos, all the negative writing mistakes (which can often be trends which tend to disappear after awhile), and condition themselves to recognize and avoid these nasty measures so of course they notice them when they occur in a story. Readers just keep reading. If they like the story and enjoy the characters, it takes a major move to ruin the book for them – more like a lousy ending than any writing technique.

Just some Friday musings . . . 

 

Father, thank you for the variety of writers you inspire. Please help each one of us be who you designed us to be. We're desperate for you. In the Name of Jesus, Amen.

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6 responses to “Readers”

  1. BK Jackson Avatar
    BK Jackson

    While some of these editorial corrections would not cause me much alarm, some do–like the steadfast belief that you can’t change POV in a scene. That kind of rigidity I can do without. It’s up to me to make my story clear and interesting–with one or multiple POV’s.
    What alarms me far, far more is the trend by publishers to sanitize fiction (i.e. pretend in historical fiction that every group of people got along, there were no slurs, etc.). No one has ever gotten along since the dawn of time, & I’m not interested in white-washing fiction for the coloring book crowd.
    But the one thing that tells me is that when time comes to publish, I’ll do it independently.

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  2. Nicole Petrino-Salter Avatar

    That’s pretty much how it happened for me, Brenda. And, yes, that rigidity just produces clinically written fiction IMO. Vince Flynn was notorious for “head-hunting” or whatever the expression for changing POVs was in the editorial world. Never ever had a problem following his writing and no one came close to matching his espionage thrillers and my all-time favorite character Mitch Rapp.

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  3. Brenda S. Anderson Avatar

    You are so right about authors being conditioned to noticing a “rule.” I can no longer stand ‘head-hopping’, but before I started writing, I never noticed it. (Frank Peretti & Francine Rivers’ early books were blatant head-hoppers, and I used to read their books without issue.) My family’s mad at me because they all now hate head-hopping too. 🙂
    The rule that kept my books from being published traditionally was the “women won’t read books with a male lead” rule. What’s interesting is that first book & series far outsells my romance novels (which fit into the CF box) and is still selling. Guess readers didn’t get the memo about the male lead. Oh, and a lot of men read that book too, along with many general fiction readers, so my audience is broad.
    Part of me will always wonder how popular it would have been if I’d had the backing of a traditional publisher & it’s marketing arm.

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  4. Nicole Petrino-Salter Avatar

    Hahahaha! “Head-hopping”! Couldn’t remember it so “head-hunting” must work for me. LOL. And I still don’t mind it.
    That was such a stupid rule, Bren. And your male lead was so good. And you know you and I actually prefer male protagonists, don’t we? Unless of course it’s Raleigh Harmon.
    And, yes, a powerful marketing campaign might have upped the ante, but now you get the royalties, men and women have read your book so it wasn’t just marketed to women, and the series is still selling. You did a fine job of marketing your work and still do – and you probably would’ve had to do exactly what you’ve done anyway with the way things have been in traditional publishing. I say, “Well done, Bren.”

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  5. BK Jackson Avatar
    BK Jackson

    Brenda, that drives me nuts that anybody would be told women won’t read books with a male lead. That’s one of the chief reasons I read so little fiction–it’s almost all about women except for thriller/suspense type books, such as the Mitch Rapp character we’ve discussed here plenty of times. ARGH!!!! It’s advice like that that keeps ME from reading fiction! (Not to mention further steers me away from any ideas about using traditional publishers).

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  6. Brenda S. Anderson Avatar

    I’m sure that’s what the marketing people learned–I know for a fact that I’m not the only one who heard that. A male author I know had to change to a female protagonist to get his first book published traditionally.
    So, yeah, drove me nuts. (You wouldn’t believe some of the other rejections I received, even stranger than that, and it was never about my writing.)
    So, that really is the advantage of indie publishing. We can write for the market if we want, or we can write what we’re passionate about. And in my case, writing for the market has been far less successful.

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