Into the Fire

Passionate thoughts about the world of writing and the Power of God

  •           Your-choice

    Macaroni and Cheese or Pasta Alfredo 

    Snickerdoodles or Oreos

    Rare, Medium Rare, Medium, or Well-done (for steak)

    Chocolate, Vanilla, or Strawberry Ice Cream or Name your favorite

    Pepperoni, Sausage, Hawaiian, or All Meat Pizza or Name your favorite 

    Caesar, Garden, or Fruit Salad 

    White, Sourdough, Rye, or Whole Wheat Bread

    Fried eggs over easy, Scrambled eggs, Omelets, Poached, or Eggs Benedict 

    Fish and Chips or a Cheeseburger 

    Salmon, Halibut, Cod, or Tilapia 

    The wonderful flavors of food. You decide which one you like the best. 

     

    Father, thank you for amazing choices of delicious foods. You've given us so much variety from all over the world. Thank you. Please help us to be truly grateful. In the Name of Jesus, Amen. 

     

  •                       2020-06-03 172232

    Driving my yellow LeMans convertible with the black top down my first year on the racetrack with my Longacres Barn Pass on my favorite all-time hat that I bought at a hat shop in Europe the fall before coming to the track. (It became my brand – hahaha.) 1969 

     

    Father, you loved me in spite of me and still do. I don't understand how but am eternally grateful for your rescue, grace, and longsuffering mercy. Thank you is never enough and I'm still desperate for you. In the Name of Jesus, Amen. 

  • Albert Dros 
     
    As a real Dutchman, I am a big fan of our flowers. And as a landscape photographer, I enjoy our beautiful spring each year in which I always find time to photograph the flowers and show the beauty of the Dutch flowers to the whole world. Most of you probably know the world-famous Keukenhof, the most beautiful tulip garden in the world. Every year millions of tourists visit this garden.
    This year is ‘special’. Keukenhof is closed, for the first time in 71 years. But that doesn’t mean there are no flowers. On the contrary; the flowers look incredible and get as much attention and care as always. All the passionate gardeners do their work as they’re used to.
    It was just a magical experience. Having no people in the park allowed me to photograph paths and angles in a certain way that you normally don’t get to see because of the crowds.
    This photo series is an initiative from myself in collaboration with Keukenhof. We aim to show the beauty of the park through these images. Too bad there’s no smell involved.
     
    With no people around, these zig-zag paths become visible showing the attention to detail in the layout of the garden.
     
    The famous Keukenhof windmill. The miller was so kind to move it to the correct position for pictures.
    A rare species of tulips that I had not seen before.
     
    Father, your beauty and creativity is often indescribable and magnificent. Thank you for those who try to capture it to share with the rest of us. In the Name of Jesus, Amen.
  •      

    This song and this group will always remind me of a good friend (Sheila Dosskey) back in high school. She loved this group, more specifically Felix Cavaliere. Ah, those memories which are actually fun! 

     

    Father, thank you for good friends, past and present. They always bring light into darkness and laughter instead of tears. Bless them, Lord. In the Name of Jesus, Amen.

     

  •                             51kELyxoweL

    The Sword of God is Book 5 in Mark Dawson's John Milton Series. 

    John Milton is basically hiking across America just because he can. When he gets to a small town in Michigan called, of all things, Truth, he finds out the only truth available is that once again he must help rescue a girl's brother and for the umpteenth time, death is a definite threat. 

    When John Milton gets arrested for a bar fight where he merely defends himself against a drunken attorney on a hunting holiday, the sheriff relents when he learns that John was a fellow soldier. After the sheriff apologizes and drops him off at his motel, the young girl (Mallory) John noticed following them approaches him to plead with him to help her find her brother (Arthur/Artie) who's gotten mixed up with the wrong group of guys and hasn't come home. Artie is handicapped and unsuspecting, and Mallory fears for his life.

    Special Agent Ellie Flowers arrived with her FBI partner-slash-married lover (Orville) to find four young bank robbers rumored to be in Truth, but their limited search revealed nothing in spite of a young girl's claims that she knew they were way up in the woods by a lake and had convinced her handicapped brother to go with them. Ellie decides to stay over even as Orville protests her decision. Somehow the unlikely trio of John, Mallory, and Ellie head for the hills to find Artie and possibly the four criminals. 

    This is one harrowing trek John never anticipated. Little did he know who was behind these young criminals and the raging battle he was ill-prepared to face. But then, the only ones more ill-prepared are the foes of John Milton. 

    When John witnesses an attempted attack on Mallory and Artie, the white-hot, blood-red rush of John's past floods his soul, and from that point on, his mission is secured. Wounded, without weapons of any consequence, he knows what must be done and he's the only one who can possibly do it.   

    There is nothing more disturbing to a Christian than the truth of God's word being perverted and used by all different kinds of cults to further their unscrupulous and often deadly agendas. This particular cult is hell-bent to do "the Lord's work", but the "lord" they serve is the devil himself. Self-righteous and violent, they have a mission to conduct, and John Milton is clearly in the way. When he discovers what they've done and are planning to do, there's simply no way he's not going to stop it. 

    And there is nothing more aggravating than having these cults which demonstrate the politically far-left (as in Nazi/Fascism intent) ideologies described as "far-right". That's not to say there aren't extremists in any ideologies, but there's zero right wing philosophy in this cult and its self-described leader as The Sword of God. Yes, it sounds like conservative ideals in wanting smaller government that adheres to the Constitution, but desiring that outcome by fascist means has zero to do with conservatism. 

    The intense struggle is very well done, the anxiety amped up to a fever pitch. John Milton is acutely tested in this one-against-many survival thriller.

    There's a short window of time after the entire ordeal is over that Milton contemplates a relationship with the brave and slightly brazen Special Agent Ellie Flowers, but when his desire meets with his compulsion to keep moving and the necessity of keeping secrets, he does what he inevitably does . . . and keeps going.

    Profanity present.

    Saving . . . Salvation Row 

                                51xBj0iAhUL

    Salvation Row by Mark Dawson is Book 6 in the John Milton Series. 

    Salvation Row begins with a recalled incident back when John was still with Group 15 on an assignment in New Orleans right before Hurricane Katrina is scheduled to hit the city. His partner on this assignment is the hacking guru Ziggy who desperately wanted to participate in field work. This is his big chance. It doesn't end well as one assigned is neutralized but one escapes and nearly ends it all for the ambitious Ziggy. 

    During the melee that erupts during Katrina, John and Ziggy are helped by a family who live in the Lower Ninth Ward where the most damage and destruction occurs.

    Switch to the present time when John happens to discover that the daughter of that family has organized a charity she's named "Build It Up" back in this devastated area of New Orleans where her family lived. She's building new homes for the displaced residents and the neighborhood is called Salvation Row. He grabs a flight to New Orleans determined to pay back the favor the family did for Ziggy and him so many years ago. A simple act of gratitude that encompasses so much more than he ever expected and requires locating the ghosted Ziggy to enlist his help in a matter going horribly wrong.

    A wealthy and wicked former soldier has become a land baron and wants the land Isadora Bartholomew has bought for Build It Up. His associate and problem solver hires thugs to threaten the Bartholomew family when Izzy refuses to sell the area to him and takes him to court to stave off his power grab where he intends to build a huge mall. The man has no intention of taking "no" for an answer, and he's bought and paid for people in every area of New Orleans government. Hence, his associate is forced to bring in a heavy hitter. Now everyone is at risk including John.

    When John realizes who he's facing, he's stunned as he recalls the professional acquaintance of a Mossad agent named Avi Bachman during a joint mission when he was still with Group 15. At that time he recognized the intense skills and psychopathic personality of Avi Bachman, a force not to be treated lightly – especially since he obviously wasn't dead as he was reported to be.

    The story now becomes predator versus predator. Ziggy is summoned to help and as everyone up against Avi (aka Claude Boon) learns the hard way, he's a dead serious assassin- for-hire. In the midst of the plight to one of John's necessary rescues, something unexpected happens, determining for "Boon" that John Milton will be his next victim. 

    It's a grueling battle both in court and out of court. Ziggy works frantically to find what John and Izzy both need and is successful until he's not. John knows it's going to get ugly but just how ugly he couldn't predict. 

    Salvation Row slides and jerks along with threats both minor and major in the grueling humidity and heat. As usual, this is no small battle for John whose personal efforts to overcome his past continue to require the opposite of what he hopes to achieve. 

    Profanity present. 

    (*Side note: Mark Dawson said he donated to and based the charity in this story on Brad Pitt's efforts in New Orleans with his "Make It Right" charity which sadly turned out badly.)

     

    Father, only you see and can change hearts. Only you. Please continue to bless Mark's writing life with new insights. In the Name of Jesus, Amen. 

     

     

              
     

  •  

         The next day John saw Jesus coming toward him and said, "Look, the Lamb of God, who takes away the sin of the world! This is the one I meant when I said, 'A man who comes after me has surpassed me because he was before me.' I myself did not know him, but the reason I came baptizing with water was that he might be revealed to Israel."

         Then John gave this testimony: "I saw the Spirit come down from heaven as a dove and remain on him. I would not have known him, except that the one who sent me to baptize with water told me. 'The man on whom you see the Spirit come down and remain is he who will baptize with the Holy Spirit.' I have seen and I testify that this is the Son of God." 

     

    John 1:29-34 (NIV)

  •     Excerpt

    From my current WIP titled . . . in a love song 

         The smell of the heat in the evening inspired him to breathe deep. There was a trace of fruitful air now and then or so it seemed as the wind and speed drove his hair away from his face. A solitary cloud concealed most of the moon, but the silver stars decorated the night. This essence of freedom he’d guarded for so many years of his life rumbled within like the start of an earthquake. He’d lived with change but by his own making. No resemblance now to what he was feeling as the black night enveloped him in the short drive back to Eva’s Inn.

         His pack of Winston beckoned to him, and he sat in the Jeep and smoked. Two cigarettes in four days—this hadn’t happened in too long to remember. He hadn’t even kissed her goodnight, and he missed experiencing her longing—that desire which made him feel like a man, the hero. He huffed at himself. Fat chance. He got out and killed the cigarette, picked up the extinguished butt, and closed it into his ashtray.

         Fatigue settled in as he walked beside the house. Eva greeted him quietly with a smile when he stepped inside but frowned quickly.

         “Mr. Rivers, whatever is the matter?”

         How could she tell? And her voice reminded him of his mother’s when she discovered he’d been hurt as a child but had yet to discover the source. He laughed half-heartedly. “Guess the late nights are gettin’ to me, Mrs. Johnson.”

         “Eva, please.” She walked out from behind her desk and looked hesitant as she cleared her throat behind her delicate fingers. “Mr.—Dale,” she began, forehead etched with clear wrinkles, serious and concerned. “May I speak with you for a few moments?” She brushed an unseen speck off her rust colored Capri pants.

         These women in this town kept him feeling unbalanced and unprepared. Awkward. She used his first name. “Yeah, sure.”

         “Come this way—it’s cooler in my area, and I still have some lemonade if you’d like.”

         He followed obediently but dreaded the unexpected. She brought him a glass of lemonade, and he sipped the refreshing brew.

         “Please, have a seat.” She gestured with her arm.

         He sat in the nearest chair. She faced him from the couch. “Dale, I’ve lived this life in two ways—me and Mr. Johnson, Donald,” she said affectionately. “I know it’s hard to look at a fat old woman and picture a lovely young gal who was passionately in love with the handsomest man I’d ever met, but nevertheless, I was, and after some time, he was.” A whimsical smile lit up her face.

         He hated to hear her refer to herself as a fat old woman. Her beauty became apparent to him more everyday. It wasn’t something you spotted immediately upon seeing her—it was more like sensing it, like the anticipation of a favorite thing. Age hadn’t been unkind to her, but it had come along with the years like quality furniture that finally begins to fade or tear or scratch with extended wear. He wasn’t good in these situations, but he had to speak to her defamation of herself. “Mrs. Johnson,” he stopped. “Eva, you’re a pretty woman. You no doubt would’ve turned my head if you’d been my age.”

         A blush highlighted her laughter. “That’s a compliment if I’ve ever heard one, Dale. Thank you. You definitely remind me of my Donald in his day.” She laughed a bit more before sobering. “I don’t want to take up too much of your time now. I believe you are tired. I just want to give you something to think about. Sometimes it’s not the fullness of the days—and by that I mean the activities like work or play—that make us weary. It’s the lack of meaning in them. When our . . . well, when our lifestyle seems aimless, we tend to repeat what we know and then become dissatisfied with similar results. That dissatisfaction lends itself to a general fatigue we can’t seem to shake.” The woman cocked her head ever so slightly.

         He noticed it and it reminded him of someone listening to another’s instruction. She topped one hand over her other. “I hope that makes some sense to you. And may I say just one more thing, Dale?”

         “Of course.”

         “I suspect you’re not a man of God, but if you take a hard look at your life so far, you might be surprised at what you find.” She stood then. “I won’t keep you any longer, Mr.—Dale—you do look awfully tired tonight. Thank you for listening.”

     

    Father, thank you for every character, every story, every word. Apart from you, I can do nothing. I'm always desperate for you. In the Name of Jesus, Amen.

  •                              41niTa74AQL._SX324_BO1 204 203 200_

    Originally posted as "Finding . . . The Opposite of Art" on 09/15/11

    One thing is for sure when you read an Athol Dickson novel: you won't be reading anything "ordinary". The Opposite of Art by Athol Dickson published by Howard Books, a division of Simon and Schuster, is no exception. A master at the newer genre classification of "magical realism", as you might expect by the term, the story wanders on a unique journey taking the reader to places and scenarios that challenge the imagination to keep up. Stuffed with symbolism and metaphor, it's an exposé in creative writing with a suggestion of purpose rather than a demand. Reminding me of David Athey's Danny Gospel, it does at times give one the sense of flashback to a drug-induced state . . . if you know what I mean.

    We're introduced to Sheridan Ridler in his twenties, the cocky artist known just as Ridler to the world of art and Danny to the one he loves but pushes away with his demands, and we see a brash self-absorbed painter of nudes without faces. He doesn't "do faces". With successful siblings who gained his father's approval, Ridler's art seemed never to impress his dad, and he carries the defiance of rejection into his core being. The world embraces his work and even at his young age, he is quickly deemed a brilliant artist. According to Ridler himself, he "can paint anything". His explanation of why he doesn't paint faces epitomizes where his focus resides in his youthful state of mind.

    When the one who truly inspires him walks out of his life, he realizes for the first time that she holds his heart and he chases after her but loses her in her Harlem neighborhood. Frustrated that he can't recall her address, he sees something in his artist's eye that draws him. As he pursues the image, he experiences a shocking event which sets the stage for and transforms the rest of the novel. Up to this experience, the story plays like a normal interpersonal conflict with an egotist and his girl falling apart without a deeper bond than their attraction to one another to cement them together.

    Suffice it to say this event causes a cataclysmic change in the young artist and takes him on a journey to recapture the focus of what he experienced, but without his ability to suppress himself in his travels across the world's landscape, he never manages to advance in his core-persona, but he does manage to eliminate the requirements of religion without understanding why he must. Encountering a canvas filled with characters who are both kind and crazed, he continues to paint what he cannot fully grasp.

    It's decidedly amazing to me that Athol can base an entire story on somewhat undesirable characters and pull it off. Honestly, I understood the 20-something Ridler a whole lot better than the Ridler-pilgrim who basically refused to see the obvious even when much later in his life it couldn't have been more plain. "Esperanza", the beautiful old woman – or was she? – made so much evident to him many times with her pointed questions and conversation if he would only listen and see. However, her prodding and hinting served to demonstrate the power of the human heart's resistance until it's truly ready to receive Truth.

    Transporting the reader between reality and surreality, I was never quite sure if Ridler's often dreamlike state of existence gave us fact or fiction. Inside his perspective we explored the fantastical along with the deplorable, the mundane, the inexplicable, and the everyday. Both taxing and refreshing, this novel is an experience rather than a story. Exploring and examining the flawed hearts of man and his religions, we grow impatient with the obvious obstructions to the Truth. We're grateful for the conclusion in so many ways. "Magical realism" is not my favorite genre, reminding me of a form of contemporary fantasy of which I'm no fan. However, this novel is well worth the time it takes to invest in the experience of it.

    There's some terrific and imaginative writing going on this novel mixed with incredible research and authenticity. I'm sure I missed some of the clever and intricate symbolism which extends to the title, but I gathered enough of it to be impressed. For those readers who enjoy something different, something that takes not only the protagonist but the reader on a strange journey through a maze of eery experiences and almost laughable jaunts with characters, The Opposite of Art is the novel for you. For those of you who want an exercise in literary writing: The Opposite of Art is it. For those of you who want not just artsy prose but earthy language when exposing what drives a man's soul: The Opposite of Art gives you both profound and almost profane.

    As a final sidenote, I'd love to see Johnny Depp play Ridler. He could give the role of Ridler the depth this character deserves.

     

    Father, you've given multiple giftings to Athol, and he has chosen to honor you with all of them. Please help him to continue to share his discoveries in the stories he writes. In the Name of Jesus, Amen.

  •                                           518zztTXGTL

     Books 1 – 3 in the John Milton Series by Mark Dawson. 

    In The Cleaner John Milton (Number One of Group Fifteen) is done. He's determined his final kills are it. He isn't labeled "Number One" for nothing. He's been the premiere operative for British espionage, a cunning assassin, the one man his victims never see coming. When his final assignment creates loose ends of which he had no foreknowledge, there's one he can't bring himself to "clean up". And that results in a royal mess for Control and a fracturing inside John's soul. Control doesn't want to lose him because he's the best, but he knows too much to be off doing who-knows-what as he enters into "civilian" life. So another "cleaner" (Number Twelve) is sent to find and remedy (aka eliminate) Number One.

    John's staked out a dumpy house for himself in the gangland of an English town and attached himself to helping a single mom with a teenage boy flirting with joining the local gang. He wants what they have to offer, and his mother is powerless to stop him even though she's tried. John's efforts only go so far until he meets a man in his AA group who helps keep boys like this woman's son off the streets by introducing them to boxing at his rundown gym. 

    Things go crazy when John takes on the rapper and gang leader, Control's #12 discovers John's whereabouts thanks to a super-hacker supposedly working for Control. Tragedy and horror lead to John's exit with more sorrow added to his psyche. 

     

    In Saint Death John Milton has become John Smith and has worked his way through South America up into cartel-run Ciudad Juarez in Mexico. It's mostly a scary city filled with the fear of cartel repercussions if anyone does anything to upset La Frontera, and the primary executioner of all things wicked and horrific is the son, who has been appropriately labeled Santa Muerte, of La Frontera's leader. La Frontera has people in every position of local government including the upper ranks of the police. 

    Jesus Plato is the unlikely cop just a few days from retirement that finds John Smith willing to face off against the cartel leader and/or his son after a young woman exposes the disappearance and eventual death of several young women in the area and attributes the loss to La Frontera in her media reporting which has gained recognition and many followers both in Mexico and the US. The cartel is not happy. When an escaped girl agrees to meet with the journalist in a restaurant where John is employed as a cook, as Plato and two fellow policemen are eating, a murderous chaos erupts. 

    Circumstances lead to John's rescuing the journalist, forming a friendship with Plato, and meeting a Texan sent to Juarez to "capture" Saint Death and return him to a group in the US whose men suffered at his evil hands. 

    As is often the case, John's situation turns deadly and dangerous but also surprising when interference he didn't expect both helps and defeats his purpose. Add the unlikely ally with both a heart and major courage, and John's personal mission continues. 

     

    In The Driver John has made it into the US and is doing part time work as a taxi driver and as a transporter of ice to local businesses. When he's called as a substitute driver by an escort service, he takes a young woman to a grandiose home where a lavish party is taking place. She seems a bit nervous on this particular night only because a former client with whom it didn't end well will be there. He tells her he'll wait for her just in case there's trouble and she seems grateful. 

    Later in the evening John hears a scream over the blaring music, and suffice it to say he finds a way to get to her. However, she's so out of it, she escapes and runs away from the party. While John's attempting to follow her, a strange beat up El Dorado pulls up with a bunch of bikers and shortly drives away. Though the whole scene troubles him, John leaves when he fails to find the girl. 

    Well, you can guess where this is going, but it's always an incredible journey to watch John meet the challenges of "saving" these victims. This one involves a campaigning presidential candidate and his lethal campaign strategist, John's acquaintance from Saint Death and his mafioso employers, the prostitute's boyfriend, a druggie bunch of hired killers, and a lovely woman from John's AA group.

    Here's a clip from the story that pretty much sums up John in this stage of his guilt-ridden life: (From his thoughts regarding AA) 

         Most of the people he would have had to make amends to were already dead, often because he had killed them. He had to make do with this. It wasn't perfect, but it was still the best salve he had yet discovered for soothing his uneasy conscience. 

    John's become a martyr-type, a rescuer instead of a pursuer, a justifier of eliminating evil against "innocent" or what he considers helpless victims in over their heads. He fails to equivocate the threats he's subdued as an assassin, eliminating the evil types trying to do even greater damage to the world in general, with those wicked groups he's taken on in defense of ill-equipped victims. While he attempts to "reason" with the killers affecting the helpless, he has no trouble identifying their evil threats and ending them. 

    As it always seems to happen, John's overall courage – or perhaps his penitent death wish – affects those around him giving them new determinations to make their lives stronger and better. 

    **Okay. This is the part of the review you don't have to read, but it's a poignant RANT and sore spot for me – maybe especially because these very entertaining novels are written by a British author who has either listened to and absorbed too much of the BBC, AP, and CNN or generally assumed major facts not in evidence:

    The presidential candidate in this story is labeled a Republican and is an inferred racist, a philanderer who visits prostitutes or uses his female campaign workers regularly, and charms his way to be the favored candidate to win the office with his charisma and mega-watt smile. His campaign strategist is a cunning fixer, plotter, and wants this man elected as much for himself as for any other agenda. Well, in the candidate character epitomized by Mark Dawson, the personality types/"moral" practices mimic those of former presidents John F. Kennedy and Bill Clinton, and the present candidate for president, all Democrats. (It was written/published too soon to have had Trump in mind since no one on the left can quit mentioning Trump's at times sordid past.)  I resent this caricature being attributed to the conservative side of the American political aisle, again maybe especially by a Brit. So there you have it. RANT over.**

    Profanity present. 

     

    Father, I pray you would touch Mark, continue to bless his life, his writing, his inspirations. Please meet his needs and keep him safe. In the Name of Jesus, Amen.

  •  

    GOD BLESS THE USA IN THE NAME OF JESUS, AMEN.